Guide to competent work of academic voice and study of the art of working on overtones in the production

Abstract

The article reveals a genre in folk singing art that requires a certain timbre design. The same singer usually uses different timbre colors of his voice when singing, for example, ditties or heartfelt lyrical songs. As pedagogical practice shows, students learn authentic traditions of timbre sound of the voice when performing folk songs of various genres, mainly by ear, while modern computer technologies of spectrography allow you to actively include the visual channel of perception of the singer's voice timbre, which helps optimize the process of learning folk singing.