Wave theory of sound and work on the hand positions of a gijjak player

Abstract

The article forms the Development of artistic thinking of a student can be considered as the main goal of the work of a teacher-musician, and the solution of highly specialized problems is a means of achieving this goal. Particular attention should be paid to the setting of the student's performing apparatus, to develop in the student a sense of natural posture, free position of the hands. Before proceeding to learning to play the gijjak, it is necessary to study a set of preparatory exercises. The purpose of these exercises is to teach the student to consciously control his movements and control the state of the muscles. When moving from a passive to an active state, it is necessary to record the work of the muscles that partictorate in the game.